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How the Olympics slapped me with the wet suck-it-up fish

The Olympics are on! Drama! Big gold medals! Sweaty, muscly men in tight clothes!

Er.

The Olympics are supposed to be inspirational. It’s part of their purpose, along with deciding who the best sportspeople in the world are. Honestly, I feel like if you make it that far, you’re the best anyway, regardless of what a few points or hundredths of a second say, but that’s not my point here. It occurred to me the other day that I personally have never been inspired by the Olympics, but that realization came when, all of a sudden, I was. Or, more accurately, I was slapped in the face with the Soggy Trout of Truth.

I’ve been watching this year with a different kind of interest than I ever have before. I’m the first to admit that I have no concept of what these athletes put themselves through physically, since my life goals require me to sit at a computer for long stretches, but I know what it’s like to want to be great at a specific thing. A thing that requires training and hard work and mental strength, if not any muscles besides the ones that keep me upright and typing. So it’s through that eye that I’ve admired and cheered and drooled over the muscles.

There are only a few sports I’m really interested in. I don’t do any of them because they involve wearing something other than yoga pants, but put them on TV or a live feed online and I’ll sit there, mouth open, breath held, sometimes with my eyes scrunched shut because I just can’t watch. It’s a good look, let me tell you. One of these has long been track cycling, because I’ve always been a speed demon and these people can get up to cheetah speeds in under ten seconds from a standing start. That shizz is EXCITING, yo.

So there I was, glued to the scratch race of the men’s Omnium, which is basically the track cycling version of a heptathlon, except there are six elements. The scratch race is one of the longer ones, which makes it especially fun because it’s sort of impossible to pick the winner. Unlike some of the other races which have only one or two cyclists on the track, everyone and their dog (ok, no dogs) gets in on a scratch race, so you have a bunch of people jockeying for position on a steeply banked, polished wood surface while going at frightening speeds.

 
You might guess where I’m going with this.

 
The Danish guy who went on to win the Omnium crashed, and he was damn lucky not to take at least two other riders out with him. He slid down the bank to the infield, leaving a metric ton of uniform AND HIS SKIN on the track on his way, and by the time he came to a stop at his coach’s feet, he was looking for a spare bike to get back in the race. That is BAD. ASS. Not only did he get back in, he won. As in, beat-everyone-to-the-finish-line-eat-my-dust-suckers WON. Later, he said the crash gave him the adrenaline boost he needed to win the race and the event. I say again, BAD. ASS.

So, yeah. This is basically the point at which Emma starts to wonder why she complains about anything, ever.

Sometime, likely while I’m on a manuscript-completion high, a longer post will come about the process of writing my current book, and how different it’s been to writing CODA, but for now, CODA was kind of the surprise win coming from the back of the pack, and when the race ended I felt like it had been almost frighteningly easy. Huge chunks of that book seemed to write themselves while I slept. Maybe I had a helpful house elf. Maybe I was inspired. Maybe there was just no pressure. Maybe it was easier. Probably it was a combination of all of those except the house elf, which is a shame but that’s a rant for another day.

Not so, with what has come to be known as Magical Bird Book, except by people who know the actual title. “Writing is hard,” I whine when it doesn’t go my way. There are sections of this book I’ve rewritten at least a dozen times since I began it in March. Maybe more. I’ve completely reworked the beginning three times. “It’s not right,” I complain to the friend who, in a move that will one day get her canonized, puts up with me when I get like that. “Help!” I say to the Patient Agent, and lucky for me he does. If CODA was a sprint in an indoor Velodrome, fast, furious, and slick, Magical Bird Book is the Tour de France, harsh and almost unending and open to the elements.

Writing IS hard, sometimes it really doesn’t go right, and sometimes you need your coach to hand you a new bike. But metaphorical bleeding isn’t a reason to bitch, or give up. It’s a reason to keep going, and that reminder came at a great time for me.

So I didn’t – and won’t – stop. Yesterday, I reworked a section that has had me beating my head against the wall for weeks. I love it now. It’s not perfect, but it’s good. I can look at it now and say “you’re good, and I can make something great from you” and so I love it in that way it’s only possible to love imperfect things–for their potential. Today, I’m excited to get back to work, even if I know it still might not all be easy from now on. Half naked and skinless, finish the damn race. And win. Be a badass.

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Posted by on August 7, 2012 in Uncategorized

 

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